From their opening views on trumpet changes and advancements, the panel discussion moved to issues in technology and their concerns for the future.One major concern shared by the entire panel was the protection of copyrights for performing artists. A discussion ensued over issues pertaining to the ease with which music can be downloaded using computers. Mr. Faddis pointed out that he felt certain control mechanisms would most likely be developed to protect the interest of the record companies. He went on to state that when the record companies don't get paid, they get upset, and this would be the driving force to protect copyrights more aggressively in the future.

The next topic dealt with the importance of preserving trumpet history and its evolution for future generations. The panel agreed that we must look to our past to fully understand the direction of the future. Mr. Faddis felt that musical and technical advancements in the field of jazz were ridiculous without understanding the roots of the music. He followed by stating that we must all understand styles and historical developments to truly play music as a composer intends.

Moving from the importance of preserving history as an investment in tomorrow, the panel shared their views regarding the future influences of technology. Mr. Faddis said that while using electronics to reflect musically what he wants to express can be a great thing, electronics should be regarded as a tool to help, and never as a means to an end. The primary concern shared by the panel was that electronics should never replace live music because the performance of music is more that just technical projection.

The next issue for the new millennium addressed by the panel was the preservation of the arts through education. The essence of this discussion was that through education we preserve our art by creating the audiences of tomorrow. Mr. Di Martino felt that musicians need to become assets to the community. Jon Faddis added that when musicians involve themselves in the community and education, they are not only adding to the lives of their audiences, but are also helping themselves in the long run.

At this point the panel discussion moved to the future of live performance, education and the importance of community involvement. Mr. Cichowicz felt that our mission in education was not to direct lives, but to teach good musical taste and technique. Trumpeters need to continue to stay sharp in preparation for the ever- increasing range of demands put upon us by composers. It is impossible to know future socio-economic influences, but we need to expand our skills in order to turn non-aural music (printed score) into enjoyable sound.

What began as a discussion on technology ended as a discussion on how education and community involvement are the most necessary contribution we can make into the next millennium. It was generally agreed that artists need to have a passion for their trade and to know when it is time to give. Mr. Faddis believes that we should be excited by the way that culture and music could help people come together in a more spiritual way. Marie Speziale stated that as long as there is a good orchestra with a good conductor and soloist, there would always be an audience.