Members:
Trumpets: Bruce Barrie, Dawn Kramer, Rob Murray, Terry Sawchuk
Horn: David Brussel, Marian Hesse
Trombone: Paul Naslund, Bill Stanley
Bass Trombone: Greg Harper
Euphonium: Gerard Morris
Tuba: Michael Allen
Percussion: Peter Cooper, Rob Ward
Lisa Blackmore, Reporter
The artists that comprise the Boulder Brass are members of Colorados orchestras and universities. The group was founded in 1993 and consists of the following instrumentation: four trumpets, two horns, euphonium, three trombones, tuba, and two percussionists. Michael Allen, served as announcer for the program.
The performance began with a difficult arrangement of Concert Etude by Goedicke. He indicated that the next work on the program, Anthony Plogs Abstractions for Brass was being
performed for the second time. The group had premiered it just last week at the Raphael Méndez Institute. The piece began with a slithering theme in the muted trumpets. The work included a quick rhythmic section and concluded with a powerful ending.
Gershwins Porgy and Bess Suite, creatively arranged by Dave Hanson, featured nice trumpet solos by Terry Sawchuk and Rob Murray. Where the Beautiful Trumpet Sounds by Gustav Mahler was originally written for solo voice and piano. Michael Allens beautiful arrangement highlighted a warm flugelhorn solo by Dawn Kramer. The texture was transparent and the entire group played very gently and with sensitivity.
Eric Ewazens Grand Canyon Sinfonia was originally conceived for an octet of four trumpets and four trombones. This three-movement composition was one of the best-performed works on the program. The opening Allegro maestoso demonstrated the influence of polychoral tradition and was very sonorous. The Andante appassionato was a dramatic color change and featured flugelhorn solos by Bruce Barrie and a trumpet solo by Dawn Kramer. This is brass writing at its besthymn-like melodies and a dramatic middle section. The ensemble matched attacks and releases, playing well in tune. The energetic last movement closed the most substantial work on the program.
Allens paraphrase of Gershwins American in Paris was the last composition on the concert and featured nice piccolo trumpet playing by Bruce Barrie and trumpet solos by Terry Sawchuk.
Since the ensemble performs without a conductor whoever has the prominent part leads the group. The musicians seemed comfortable with this arrangement and at no time was there any confusion onstage. Michael Allens arrangements for the group are imaginative and make effective use of the many shadings and color possibilities of the large brass ensemble setting. All four of the trumpeters demonstrated great flexibility and sensitivity. The group was rewarded with a standing ovation from the audience.